Renzo Piano

De BLACKPEARL
Aller à : navigation, rechercher

Their high-tech design for the Centre Georges Pompidou (1971-- 77) in Paris, made to look like an "city maker," instantly acquired the attention of the worldwide architectural community. Piano's interest in innovation and modern-day services to architectural problems was evident in all his designs, although he progressively took greater account of the structure's context. Piano's design for the Shard (2000-- 12), formerly understood as London Bridge Tower, was provided its label-- which ultimately became its main name-- due to the fact that of its greatly tapered glass exterior.





Renzo Piano, (born September 14, 1937, Genoa, Italy), Italian architect best known for his high-tech public areas, especially his style (with Richard Rogers) for the Centre Georges Pompidou in Paris.
Born into a family of builders, Piano finished from the Polytechnic in Milan in 1964. He worked with a range of designers, including his daddy, till he developed a partnership with Rogers from 1970 to 1977. Their modern style for the Centre Georges Pompidou (1971-- 77) in Paris, made to appear like an "urban device," immediately got the attention of the international architectural neighborhood. Colourful duct and elevators positioned on the building's exoskeleton developed a vibrant aesthetic impression, and the structure's playfulness challenged staid, institutional ideas of what a museum need to be. From a practical viewpoint, the position of service aspects such as elevators on the exterior allowed an open, versatile strategy in the building's interior. While numerous grumbled that it did not fit the context of the historic neighbourhood, the Pompidou nevertheless helped cause the revitalization of the area when it became an internationally prominent landmark.
Piano's interest in innovation and contemporary solutions to architectural problems appeared in all his styles, although he progressively took higher account of the structure's context. His design for the Menil Collection museum (1982-- 86; with Richard Fitzgerald) in Houston, Texas, used ferroconcrete leaves in the roofing, which acted as both a heat source and a type of defense versus ultraviolet light. At the same time, the building's low scale and constant terrace are in keeping with the mostly domestic structures close by. His other important commissions consist of San Nicola Soccer Stadium (1987-- 90) in Bari, Italy; the Kansai International Airport Terminal (1988-- 94) in Ōsaka, Japan; the Auditorium Parco della Musica (1994-- 2002) in Rome; and the Beyeler Foundation Museum (1992-- 97) in Basel, Switzerland. Among his most-celebrated 21st-century jobs, noteworthy for its green architecture, was a brand-new structure for the California Academy of Sciences (finished 2008) in San Francisco's Golden Gate Park.
Piano also worked on metropolitan revitalization strategies, including the conversion of a huge historic Fiat factory (1983-- 2003) in Turin, Italy, into the city's trade fair and convention centre district. Piano's design for the Shard (2000-- 12), formerly understood as London Bridge Tower, was offered its nickname-- which eventually became its official name-- because of its sharply tapered glass facade.
Piano has gotten numerous awards and rewards, consisting of the Japan Art Association's Praemium Imperiale reward for architecture (1995 ), the Pritzker Architecture Prize (1998 ), and the American Institute of Architects Gold Medal (2008 ).